Not the Ocean, St Johns Riverwalk, jacksonville, florida
Archival inkjet print, 62” x 12”

filmed in florida


35mm film series, archival inkjet prints
Series shot with a plastic rotating camera

lily pad pond 1, Kanapaha Gardens, gainesville, florida
Archival inkjet print, 52” x 12”

Before the Floods, paynes prairie, near micanopy, florida
Archival inkjet print, 58” x 12”

Lily Pad Pond 3, kanapaha gardens, gainesville, florida
Archival inkjet print, 58” x 12”

Hard Truth, Soft Field-Nikki Burke

soft field, Hard truth, near Starke, Florida
Archival inkjet print, 58” x 12”

Turning Back, blue springs, florida
Archival inkjet print, 58” x 12”

Water Wings and a Holga, near gainesville, florida
Archival inkjet print, 44” x 12”

Lighthouse, st augustine, florida
Archival inkjet print, 58” x 12”

Boneyard Beach, big talbot island, florida
Archival inkjet print, 62” x 12”

The Handoff, halfway between gainesville and jacksonville, florida
Archival inkjet print, 44” x 12”

Independence, starke, florida
Archival inkjet print, 52” x 12”

Crowded at the Springs, blue springs, florida
Archival Inkjet print, 52” x 12”

High in the Sky, blue crab festival, palatka, florida
Archival inkjet print, 58” x 12”

Get Reel, near gainesville, florida
Archival inkjet print, 44” x 12”

Ava is Hiding, at the lake house, near starke, florida
Archival inkjet print, 44” x 12”

Low Tide, swift creek pond, near gainesville, florida
Archival inkjet print, 44” x 12”

Into our Woods, hannah park, mayport, florida
Archival inkjet print, 44” x 12”

Springs Time, blue springs, florida
Archival inkjet print, 44” x 12”

Watching, Waiting, poe springs, florida
Archival inkjet print, 58” x 12”

Jarboe Park, Jacksonville Beach, Florida
Archival inkjet print, 58” x 12”

Ferris Wheel Above Palatka, florida
Archival inkjet print, 44” x 12”

 

A decade-long 35mm film series that explores memory and perception through the material conditions of photographic image-making. Using a rotating plastic camera, the images embrace distortion, fragmentation, and optical imperfection as active elements, where bending horizons and fractured highlights echo the way recollection shifts over time.

Drawing from the visual language of vernacular photography and home family films, the series repositions these familiar aesthetics within a sustained, deliberate practice. Rooted in the sensory experience of Florida, the images move away from fixed description toward a more fluid record of looking, where clarity gives way to duration, and nostalgia emerges not as sentiment, but as a condition shaped by mistiness, repetition, and change.

The photographs, of beaches, fairs, parks, the familiar pull of a lake house, arrive softened, slightly unmoored, as if remembered rather than seen. They echo the texture of treasured family films: sun-faded, imperfect, and continuous, carrying with them the quiet rhythm of growing up in the American South.